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DIRECTING EXPERIENCE

Professional Credits

  • 2023   Tooth, Nina Zakhozhenko, ProEnglish Theatre of Ukraine (Kyiv)

  • 2022   Whole Lotta Shakin', John Porter, Firehouse Theatre, Richmond, VA (Staged Reading)

  • 2022   Robinson, Vitaliy Chenskiy, ProEnglish Theatre of Ukraine, (Kyiv)

  • 2022   Sweat, Lynn Nottage, The Generic Theater, Norfolk, VA

  • 2021   Hektomeron Project, Adapted and Directed * National Theatre 'Marin Sorescu' Craiova, Romania*

  • 2017   Private Spaces, Various Playwrights * National Theatre 'Marin Sorescu,' Craiova, Romania 

  • 2015   The Rocky Horror Show, Book, Music, and Lyrics by Richard O'Brien * Warehouse Theatre, Greenville, SC

  • 2014   A Flea in Her Ear, Georges Feydeau adapted by Charles Edward Pogue * Centre Stage, Greenville, SC

  • 2013   Avenue Q, Music, Book & Lyrics by Robert Lopez, Jeff Marx & Jeff Whitty * Warehouse Theatre, Greenville, SC

  • 2013   Fault/Line, Devised by Bruce Hermann, Courtney Brown & Ryan Bruce, Written by Jared Strange *MeetFactory, Prague, CZ

  • 2012   High School Musical, Book by Dave Simpatico adapted from the original movie script by Peter Barsocchini * Lubbock Moonlight Musicals, Lubbock, TX

  • 2011   The Weir, Conor McPherson * Garza Stage, Post, TX

  • 2009   Checking In, Brian Hampton * June Havoc Theatre, New York, NY

  • 2009   Long Time Travelling, Silas House * Actors Guild of Lexington, Lexington, KY

  • 2009   Rabbit Hole, David Lindsay-Abaire * Actors Guild of Lexington, Lexington, KY

  • 2008   Moonlight and Magnolias, Ron Hutchinson * Actors Guild of Lexington, Lexington, KY

  • 2008   Hamlet, William Shakespeare * Temple Theatre, Sanford, NC

  • 2008   Tartuffe, Moliere adapted by Charles Edward Pogue * Actors Guild of Lexington, Lexington, KY

  • 2007   Hamlet, William Shakespeare * Actors Guild of Lexington, Lexington, KY (Production featured in American Theatre Magazine)

  • 2007   Romeo and Juliet, William Shakespeare * Cincinnati Shakespeare Company, Cincinnati, OH

  • 2006   Rounding Third, Richard Dresser * Actors Guild of Lexington, Lexington, KY

  • 2006   Fully Committed, Becky Mode * Actors Guild of Lexington, Lexington, KY

  • 2005   All My Sons, Arthur Miller * Actors Guild of Lexington, Lexington, KY

  • 2005   Checking In, Brian Hampton * Actors Guild of Lexington, Lexington, KY

  • 2004   The SantaLand Diaries, David Sedaris, adapted by Joe Mantello * Actors Guild of Lexington, Lexington, KY

  • 2004   Stop Kiss, Diana Son * Actors Guild of Lexington, Lexington, KY

  • 2004   The 22-Day Adagio, Robert Caisley * Mill Mountain Theatre, Roanoke, VA

  • 2003   Lobby Hero, Kenneth Lonergan * Theatre IV, Richmond, VA

  • 2002   The Laramie Project, Moises Kaufman and Members of the Tectonic Theatre Project, Barksdale Theatre/Richmond Triangle Players, Richmond, VA

  • 2001   Jails, Hospitals & Hip-Hop, Danny Hoch * TheatreVirginia, Richmond, VA

  • 2001   Edward II, Christopher Marlowe * Live Arts, Charlottesville, VA

  • 2001   bash:latterday plays, Neil LaBute * Theatre IV,  Richmond, VA

  • 2001   The Taming of the Shrew, William Shakespeare * Barksdale Theatre, Richmond, VA

  • 2001   Jails, Hospitals & Hip-Hop, Danny Hoch * Theatre IV, Richmond, VA

  • 2000   Gross Indecency: The Three Trials of Oscar Wilde, Moises Kaufman and Members of the Tectonic Theatre Project * Barksdale Theatre, Richmond, VA

  • 2000   Marisol, Jose Rivera * Firehouse Theatre, Richmond, VA

  • 1999   Stop Kiss, Diana Son * Richmond Triangle Players, Richmond, VA

  • 1999   subUrbia, Eric Bogosian * Theatre IV, Richmond, VA

  

  * The Hektomeron Project was conceived by the National Theatre Marin Sorescu in Craiova, Romania featuring 100 international Directors adapting

     stories from The Decameron by Boccaccio. I was the only American director involved in the Project.

 

College and University Credits

  • 2019  Our Country's Good, Timberlake Wertenbaker * Northwestern State University

  • 2019  Shakespeare's R&J, Joe Calarco * Northwestern State University

  • 2018  Measure for Measure, William Shakespeare * Clemson University

  • 2017  4:48 Psychosis, Sarah Kane * University of Craiova, Romania

  • 2015  Twelfth Night, William Shakespeare * Clemson University

  • 2014  Vincent in Brixton, Nicholas Wright * Clemson University

  • 2014  Melissa Arctic, Craig Wright * Clemson University

  • 2011  9/11 Voices (Staged Reading), Norman Bert * Texas Tech University

  • 2011  Well It Ain't Ozzie and Harriet, Michael Flood * Texas Tech University

  • 2008  Weak/Side/Help, Andrew Shafer * University of Kentucky

  • 2006  The Two Gentlemen of Verona, William Shakespeare * Centre College (KY)

  • 1998  Tartuffe, Moliere * Virginia Union University

 

Theatre and Opera for Young Audiences (Tours)

 

  • 2002  Arthur Ashe: Champion of Honor * Theatre IV, Richmond, VA

  • 2002  And Then They Came for Me: Remembering the World of Anne Frank * Theatre IV, Richmond, VA

  • 2001  Lyle, Lyle Crocodile * Theatre IV, Richmond, VA

  • 2000  The Pied Piper of Hamelin * Virginia Opera, Norfolk, VA

  • 2000  Little Red Riding Hood * Virginia Opera, Norfolk, VA

  • 2000  The Legend of Sleepy Hollow * Theatre IV, Richmond, VA

  • 1999  Shake Hands with Shakespeare * Theatre IV, Richmond, VA

  • 1999  The Sword in the Stone * Theatre IV, Richmond, VA

 

Related Experience

  • 2011  Director, Feature Film, Checking In, Brian Hampton * Small Town Dangerous Productions (Available on amazon.com)

  • 2007  Selected Participant, La MaMa/Umbria International Director's Symposium, Spoleto, Italy

  • 2004  Selected Participant, TCG New Artistic Leadership Institute, McCarter Theatre, Princeton, NJ

  • 2000  Selected Participant, Lincoln Center Theater Directors Lab, New York, NY

 

Teaching and Employment

 

Assistant Professor of Theatre, Northwestern State University 2018 -- 2020

Fulbright Scholar, University of Craiova, Romania 2016 -- 2017

Assistant Professor of Theatre, Clemson University 2013 -- 2018

Visiting Lecturer, Rose Bruford College of Theatre and Performance, London, England 2006 -- Present

 

Teaching Areas:  Directing, Theatre History, Dramatic Literature, Structure of Drama, Contemporary British Theatre, Theatre Appreciation

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